Because of my position as an influential (?) writer about
jazz, I occasionally get promotional materials and notices from jazz musicians,
agents and music companies asking me to let my readers know about their latest
musician, song, band, or whatever. When I first started blogging, I was very
accommodating and was generally quite diligent about writing up what they let
me know about. For some reason, however, at some point, I got away from doing that
with any regularity.
Well, now I’m getting back to it, starting with Marcus
Goldhaber.
Photo courtesy of Marcus Goldhaber and Randex Communications |
Truth be told, I've had my eye on this guy for about two
years now, as he was performing in New York close to when I visited there and I
had a bunch of jazz clubs on my radar. I've always liked his voice and he
usually has a great set of musicians behind him, sometimes some really big
names. Of course, he’s also a composer and the musicality of his original tunes
is as good as anybody in jazz right now. But what’s really appealing about Mr.
Goldhaber’s latest offering, “A Lovely Way to Spend an Evening”, is that he
mixes in five original songs with seven standards that are not performed as
often as they should be. The mix is dynamic and gives Mr. Goldhaber ample
opportunity to display his chops. Is just as pleasant a listening experience as
male vocal jazz gets.
That said, what really puts this recording over the top for me is
the backing musicians, and especially, the pianist. (Yes, I’m a pianist, so I’m
biased.) Jon Davis (who co-arranged with Mr. Goldhaber) has a light touch on
the piano, with a quick turn of phrase or chord voicing to relieve or boost the
sentimentality, whichever and whenever needed. Mr. Davis also has a critical role in bringing
cohesiveness with two different bassists and drummers. Even so, he’s always
able to hint at relaxation without becoming lounge-ified. This is exemplified
in the middle tracks of “No Moon At All”, where the piano takes second stage to
the bass, but pushes the song right back to a bluesy stroll when he gets
his solo, which is then followed by the Irving Berlin classic “Top Hat, White Tie and Tails”, taken at a mellow pace with the piano right out front. I’m in awe of Mr.
Davis, but I applaud Mr. Goldhaber for picking him to work on these tracks. It
all just works.
The recording comes out on October 14. If you’re looking for
some good male vocal jazz that sounds original both in compositions and
performance, put “A Lovely Way to Spend
an Evening” on your shopping list. It’s worth the price of admission.
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